Sawdust
Rob Gonzalez has formed Sawdust, a graphic design studio out of London that is cranking out super clean and superiorly well produced work. Don’t underestimate this one.
Rob Gonzalez has formed Sawdust, a graphic design studio out of London that is cranking out super clean and superiorly well produced work. Don’t underestimate this one.
PostPanic is a motion house based in Amsterdam that truly has a unique style. The team does everything from start to finish in-house, including design, directing, animation (2D & 3D) and post-production.
That’s a lot of work for one shop, but after seeing the work, you’ll agree it’s worth keeping the original creative direction intact.
xtrabold is the online portfolio of 19 year old Nelson Balaban from Curitiba, Brazil. He is yet another super talented self-taught designer. The future of design looks beautiful and colorful! Enjoy!

“Have you ever wondered why your websites didn’t quite match up to the success of your competitors or peers? Have you ever looked at other sites and thought: ‘Why didn’t I think of that?’”.
One of the newest books from Taschen, Guidelines for Online Success, is made to answer those and many more questions.
The book is edited by Rob Ford (creator of FWA) and Julius Wiedemann of Taschen books so you know it’s good and… you can thumb through the entire book online!
We are proud to begin the new year with our continuation of the FAIRspot original content series. This month we feature someone that should need no introduction. Having started one of the most influential design portals to date, Netdiver.net, and since being crowned the queen of all Powagirrls, Carole Guevin raises the bar when it comes to design leaders in the forefront.
We believe you will find this interview to be highly intelligent, informative and nothing but inspiring. So what are you waiting for? Get reading!
Carole Guevin: I was born, live and work in Montreal.
CG: Started drawing when I was 2, reading avidly at 7, improvised on piano at 13, wrote first play at 14. Contextually, it's 1967 and this is the era of La Révolution Tranquille, the war in Vietnam, huge manifestations happening all over.. wrote my life manifesto vouching to be an artist and change the world. I am a self-taught designer.
CG: I am a rebel to conformity-not just for the sake of being rebellious, but because I object intellectually to pre-hashed over baked answers. When I was very young, I knew that in order to change the world, some kind of a world wide communication platform was necessary.
So from three different circumstances in 1995; A group of designers telling me that they were looking for 'convivial' writers on the Net... an eye opening essay, Business Opportunities in a Cybernetic Age, written by some engineers, and discovering that the agency where I was working was screwing up both employees, and clients. Add these up and it was fuel enough to make the jump. I had enough of business as usual and it was time to reinvent.
Although, on the verge of finalizing our first music album (for which we had been working for the past 7 years), we dumped everything and ran with it, or to it, the infant web. We did 3 years of research trying to figure out all the possibilities, then decided to 'publish' the results. Most [results] had to do with how creatives were finally taking hold of the new media.
CG: Women need to be recognized and that is my contribution.
CG: Yep, always. It was in 'opposition' to net surfer which we thought was 'superficial' and whereas our mission was to do intelligence gathering and reporting. We were 'star trekking' the network-you know, pioneering the standards and posting the breakthroughs.
I remember very well, JF (who is my best friend, partner and geek head around here on top of being a brilliant creative thinker) impatiently saying, "but why do you want to call it new media?", and me answering quietly, "because it is a new media." In its etymological sense; a new means (of expression).
That may appear completely irrelevant and even alien for today's audience, but there is definitely a history that was written by a core community of visionaries, who seeked to manifest in wide sweeps what was beginning to emerge.
CG: No. After an amazing stint at the Université de Montréal, where I was introduced to world politics, a life long mentor, smuggling scientists, editorial work via structural topology, a new science, launching a new magazine, elementary particles and the primitive Internet. Bundled, these together and the sum makes the core basis of Netdiver: unrelenting search for uncompromising quality (not quantity), intellectual capital as the new international currency, "the world being in your backyard" attitude and tone, the greatest gift awarded humanity, a divingboard for artists and creatives to be known and circulate their work, a historically unheard-of-bullet-fast platform for ideas to proliferate and be shared and most importantly, a chance to DO good and see the results.
With the advent of the Internet, it is now possible to impact widely during your lifetime-something amazing to ponder with. Makes you think twice before you throw anything into the ether.
CG: Yes, but that's because you don't know everything I have ramped up and still plan to accomplish. I love what I do-but I plan to do more within the scope of other medias. I am a doer, so I shy of speaking of plans in travail and not yet near launch.
You don't want to know. Hectic, busy, crazy, countless hours, delivering.. ahh dinner.
CG: From the onset, I have aimed to redefine commercial models that were going to be viable on the Internet, and most came to pass. Everyone has got to pay the bills. But one thing that is exciting is that I predicted that 'freelancing' was going to become a major economic force in the industry-and it is, and will become increasingly so.
CG: Still in the game. Still discovering. Still reinventing.
CG: The need to realize the vision. Gotta do it!
CG: Yes I do. Painting, to experiment with color. Photography, I'm rounding up pics to prepare a small exhibit. Reading about 10 books simultaneously and music, rebuilding the studio.
CG: My ignorance. It still is the biggest challenge. So much to learn.
CG: Mmm... too many. I would say that I am always impressed by talent in any given fields. Oh, and intelligence! My gosh, I hate mediocrity.
CG: Al Gore.
CG: Both. Design is for people. I live and breathe design. I believe it's 'design time', meaning designers can change the world, like never before.
CG: Never give up. Find your voice. Persist in striving for excellence.
CG: Less bling more thought. Less talk more communication. Less hype more responsibility. Less trends more originality. Less conformity more expression. Less me more us. Less greed more humility. Less doubt more faith. Less jealousy more respect.
CG: My mobile phone, laptop, digicam, recharging decks, mini external disk, international electrical outlet device, passport, wallet, books, drawing pad, notebook, pens, underwear, jeans, piles of tee shirts, hoody, leather jacket, jean jacket, shoes, toothbrush, soap, Bible and digital tickets.
Like what you see?
All works above are produced by and copyrighted by Carole Guevin. To visit Carole's pride and joy, get the freshest news and inspiration and participate in the community, please visit Netdiver.net. If you would like to learn more about Carole, or just say hello, please click here.
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